About Elina
I’m Elina Pasok, a London-based hospitality, interior and architectural photographer working with hotels, interior designers, architects, lifestyle brands and publications.
I’ve been working professionally in photography for nearly two decades. I began in press photography - a fast-paced world that taught me to observe quickly, make confident decisions and understand what makes an image communicate. From there I moved into fashion and portraiture, developing a sensitivity to people, identity and the way we want to be seen.
Spaces eventually brought those worlds together for me: structure and storytelling, precision and atmosphere, design and human experience. Whether I’m photographing a hotel, a private residence or a design-led commercial space, I’m interested not only in how it looks, but in how it feels to inhabit it.
Alongside my photography practice, I worked as a Creative Director at a visual media agency, leading international photo and video projects from concept through production and delivery. That experience shaped the way I work today: collaboratively, strategically and with an understanding of the wider life of an image - across campaigns, websites, editorial, press, social and brand communications.
I’m also a practising artist, and my fascination with light sits at the heart of both disciplines. I’m interested in how light shapes materials, architecture, mood and perception. I tend to sit somewhere between the technical and the poetic - attentive to detail, but always looking for the atmosphere that makes a place memorable.
Based in London, I work across the UK and Europe.
Selected Experience & Credentials
Marriott International
EMEA Photographer Accelerator Programme
Montcalm Collection
In-house Photographer
Associate distinction in the Royal Photographic Society
Best of Houzz Service awards
Nearly 20 years in professional photography
Education & Professional Development
Master’s degree from London College of Fashion (University of Arts London)
BA degree in audio-visual media from Baltic Film and Media School (Tallinn University)
Additional courses on creativity and leadership from: Royal College of Art, Imperial College London, The Museum of Modern Art, California Institute of the Arts & Punchdrunk team & alumni
Spaces + Experiences
A photoshoot often comes at the end of a much longer journey. A space may have taken months or years to design, build, refine and bring to life.
I’m conscious of that when I arrive with a camera. My role is not simply to document what is there, but to understand what matters about it - and translate that into images that feel considered, truthful and alive.
I work with all my senses. The softness of textiles, the weight of stone, the way daylight moves across a surface, a reflection in a mirror, a lamp glowing into the lens, the relationship between a person and the space around them. These observations are often what turn a photograph of a room into a sense of place.
I approach shoots narratively, almost like a film storyboard: wider images establish the environment, closer details slow the viewer down. The aim is not only to show how a space looks, but to suggest how it feels to experience it.
I’m interested in what happens to the images after the shoot, too. Whether they are being used for a hotel campaign, a design portfolio, an editorial feature, press, awards or social content, I think about the wider visual story - and how a collection of photographs can continue working long after the shoot is finished.
How I Work
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Interiors, architecture and hospitality imagery created for portfolios, websites, editorial, campaigns and marketing.
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Shot planning, storytelling, identifying the details worth capturing, understanding how individual images work together and helping shape a coherent visual narrative.
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For hotels, studios and brands with multiple projects, properties, launches or regular content needs - consistent photography from someone who already understands the visual language of the brand.
A familiar collaborator who knows your brand
Consistent imagery across projects and over time
Less briefing, less back-and-forth
Space to think longer-term about how your work is seen
Selected Clients, Collaborations & Publications